These superb 1993 live recordings marked the peak of Ronnie Earl’s all-instrumental concept. His lust to play, his pure desire to express impulse and emotion by way of playing his guitar, could not be satisfied when backing a vocalist in his band.

The performance and the sound of the masters are setting new standards in the history of blues recordings. We taped two shows in Bremen, Germany. Ronnie Earl was playing the annual Breminale-Festival and delivered two more sets a few days later at the 'Schauburg', a stylish old cinema.

Right from the start, Ronnie’s wide awake, motivated, and almost exploding in his inimitable intensity. His playing technique has reached the climax of creativity, competently supported by his fantastic band. Almost eighty minutes of high voltage, blues instrumentals in perfection, plus originals showing his appreciation for jazz greats like John Coltrane, Thelonius Monk or Wes Montgomery, he’s also regarding important for the development of his personal musical language.

Although recorded almost two decades ago, these thirteen tracks still sound fresh. Here’s plenty of subtlety and emotional depth. For many fans, this it’s the best album Ronnie Earl ever recorded! In my mind, ‘Blues & Forgiveness’ is representing the best from one of the greatest blues guitar players of all times.

Please, note: 'Backstroke' is only available on 'Blues & Forgiveness', the original CrossCut release.