OTIS CLAY recieved an award by the critics poll in Germany's No. 1 Blues magazine, BluesNews.
"In The House", recorded at the Lucerne Blues Festival was awarded "Best Release 2005"
OTIS CLAY
In The House - Live at Lucerne Vol. 7
CCD 11084 DigiPak®
Recorded 2003
Playing time 52:40
13 tracks
buy this album at CrossCut Mailorder - a division of Bear Family Records
OTIS CLAY - lead vocals
HOLLYWOOD SCOTT - guitar, background vocals
BENNY BROWN - keys, background vocals
DARRYL THOMPSON - trumpet, background vocals
FRED JOHNSON - trombone, background vocals
JOEWAUN SCOTT - bass
EDMUND FARR - drums, background vocals
THERESA DAVIS, DIANNE MADISON - background vocals
Special guests:
SHARRIE WILLIAMS - lead vocals *
a CCR productions recording
CrossCut hat für seine In The House-Serie in Luzern, Schweiz das Konzert einer amerikanischen Soul-Legende mitgeschnitten. "In den Staaten gibt's nur noch eine schwarze Musik, Rap", sagt Clay, Jahrgang 1942, geborenen in Mississippi, "In meiner Generation hatte die Musik noch Werte: die Popmusik forderte, unsere Soldaten aus Vietnam abzuziehen, Marvin Gaye schuf mit 'What's Going On' das beste Album der Geschichte."
Clay gehörte mit Marvin Gaye zu den gefeierten Stars und sagt ruhig: "Gemach. Ich habe schon mal eine Welle überlebt." Mitte der Seventies schwappte Disco über den Soul, Clay war nicht mehr gefragt, flüchtete nach Japan, nahm 1978 'Soul Man: Live in Japan' auf - und feierte ein glorioses Comeback.
Clay ist einer, der vergessen ging. Der sich zurückgekämpft hat. Er schliesst die Augen, singt mit dem ganzen Gesicht, wispert heiser und lässt kurz darauf seinen Bariton gurgelnd funkeln, lüstern röhren. Man glaubt ihm den Schmerz, glaubt ihm die Ekstase, wenn er Laut und Leise, Übermut und Einkehr balanciert, saftige Bläser und schiere Stille. 'Man muss die Leute berühren', sagt er und gestikuliert mit seinen Pranken wie ein Hip-Hopper. 'Es geht um Leiden, Liebe, Trost - ums Leben. That's why they call it soul music.'
Neunfacher Vater ist er, sein Ältester ist 40, das jüngste dreijährig. Ein Bluesleben. Eine Schule gab's nicht in dem Dorf in Mississippi, dem elendsten aller US-Staaten. Als Vierjähriger sang Otis im Kirchenchor, außer Gospel war nichts erlaubt. 'Sangen wir daheim Blues, wurden wir verprügelt.' Doch Clay schlich sich an ein Konzert von Muddy Waters, zog ins sündige Memphis, landete in Chicago, war mit 18 Profimusiker.
In Chicago, einer Stadt mit einer Bluestradition wie keine zweite, steht Otis Clays Name als Synonym für Soul. Seine klare und kraftvolle Stimme, sein gospel-getränkter Stil, zusammen mit der neunköpfigen Platinum Band -- eine der best-eingespielten, perfekt groovenden Soul-Formationen schlechthin -- liefert er uns zehn mitreißende Songs, das Beste was Chicago an Soul zu bieten hat!
««« »»»
As part of our "In The House" series with live recordings from Lucerne, Switzerland, we have recorded the show of an American soul legend.
"In The States there's only one black music, rap," Otis Clay says. He was born in Mississippi in 1942. "In my generation music still meant something. Marvin Gaye demanded that our troops pull out of Vietnam, and he recorded 'What's Going On', the best album in music history." Along with Marvin Gaye, Clay was one of the celebrated stars of soul music. In the mid-seventies when soul was being overwhelmed by disco music, Clay wasn't in demand any longer. He escaped to Japan where he recorded the classic "Soul Man: Live In Japan" in 1978 – a glorious comeback.
Clay was forgotten, but he fought his way back. He closes his eyes, he whispers huskily and then lets go with his sparkling throaty baritone, roaring lustfully. You believe his pain, his ecstacy. "You have to move the people. It's all about trouble, love, comfort – it's all about life. That's why they call it soul music."
He is father to nine children. His eldest son is forty, the youngest is just three-years-old. The life of a bluesman. There was no school in his small town in Mississippi, the poorest of the American states. When Otis was four he used to sing in the church choir. Any other kind of music was forbidden. "If we listened to the blues we were beaten". But Clay snuck into a Muddy Waters concert, moved to sinful Memphis, landed in Chicago and was a professional musician by age 18.
In Chicago, a city with a blues tradition like no other, Otis Clay's name is the synonym for soul. With his clear and powerful vocals, his gospel-drenched style, and along with the nine-piece Platinum Band – one of the tightest, perfectly grooving soul bands in Chicago – Otis Clay is supplying us with ten moving songs, the best of Chicago Soul – Today!
(...) it does capture the feel of anticipation and build-up so integral to a live performance. It certainly proves that real soul music is safe in Otis Clay’s hands. If you didn’t already know that, I would advise you to check this out!
www.bluesartstudio.at
September 2005
Norman Darwen
The complete CD-series of live-recordings from the Lucerne Blues Festival: |
|
| |
BOB STROGER & HIS CHICAGO BLUES LEGENDS feat. THE KEN SAYDAK TRIO In The House - Live at Lucerne Vol.1 |
| |
JOHNNY JONES & CHARLES WALKER In The House - Live at Lucerne Vol.2 |
| |
LITTLE AL THOMAS & THE CRAZY HOUSE BAND In The House - Live at Lucerne Vol.3 |
| |
ROY GAINES In The House - Live at Lucerne Vol.4 |
| |
CARL WEATHERSBY In The House - Live at Lucerne Vol.5 |
| Down Home Super Trio In The House - Live at Lucerne Vol.6 |
|
| OTIS CLAY In The House - Live at Lucerne Vol.7 |
|