BILL CARTER & JIMMIE VAUGHAN
Stompin' Grounds
CrossCut CCD 11023
Recorded 1988
Playing time 41:55,
13 tracks
buy this album at CrossCut Mailorder - a division of Bear Family Records
The album is deleted. Remaining stock for retail customers, only!
- Let It Rip
- Ripped The Heart
- My First Love (Was Rock'n'Roll)
- Mrs.Jones
- Rock-A-Bye Hotel
- Dance Dance Dance
- Prairie Lee
- Willy The Whimp (And His Cadillac Coffin)
- '67 Buick A.F.
- Road Block
- I'll Make It Right
- It's Time You Knew
- I Need A Break
BILL CARTER - voc/gtr,
JIMMIE VAUGHAN - gtr,
ROSCOE BECK - bass,
STEVE MEADOR - drums
featuring:
MITCH WATKINS - gtr
JOE SUBLETT - sax,
KAZ KAZANOFF - sax,
RUTH ELLSWORTH - backing voc/pno,
DEREK O'BRIEN - gtr,
TERRY McBRIDE - bass,
RODDY COLONNA - drums,
RILEY OSBORN - pno/org,
DAVID HOLT - gtr,
BOBBY IRWIN - drums,
ANDY SALMON - bass,
DENNY FREEMAN - pno.
(under license from Bill Carter)
Austin, Texas. Rock'n'Roll - mit Jimmie Vaughan an Lead- und Rhythmusgitarre. Gutes Power-Album, jedoch nichts für Fans des 'klassischen' Blues.
««« »»»
Great, powerful album. Maybe too heavy for blues purists ... this is rock'n'roll in it's pure form, loud and rocking. Stevie Ray Vaughan's elder brother is playing lead and rhythm guitar.
Bill Carter, along with his partner Ruth Ellsworth, is best-known for writing modern classics like "Willy The Wimp" (for Stevie Ray Vaughan ), or "Why Get Up" (for the Fabulous Thunderbirds ).
REVIews 11023
The list of successful resident writers includes 1987-1988 Austin Chronicle Music Award winner Bill Carter, who was named Best Songwriter.
Casey Monahan (USA)
Tolle R&R Songs bei 'Stompin'Grounds' des Texaners Bill Carter.
Music Man, 04/1990
Mit der Unterstützung einiger prominenter Freunde wie Jimmy Vaughan, Kaz Kazanoff und Denny Freeman hat er nun ein hervorragendes Album kräftig-deftigen Rock'n'Rolls eingespielt. (...) schweißtreibend und echt.
ORF (D) Teletext, 02/1989
PB
Rock'n'Roll-Ware der ziemlich traditionellen, zeitlos schönen Art.
Kurier am Sonntag (D), 12/1989
Burkhardt Ilschner
(...) technisch und instrumental brilliant umgesetzter Bluesrock.
ORF (A)-Teletext